Thursday, January 12, 2012

The Missing [VHS]

The Missing [VHS]

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The Missing [VHS] Review

I find myself shaking my head about the trashing this movie received from some. I am beginning to think many modern viewers have already seen everything on the face of the Earth and can NEVER be impressed anymore by any new movies.

This is a very tense and entertaining movie. It held my attention throughout however I am an adult who can pay attention and some viewing the movie probably cannot. It is exceptionally well acted and the cinematography is great. In short, I give a "well done" to Ron Howard and others who made the film

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Wednesday, January 11, 2012

Andromeda

Andromeda

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Andromeda Review

206. All Too Human

207. Una Salas Victus

208. Home Fires (with Sam Jenkins Sorbo--Kevin Sorbo's real-life wife)

209. Into the Labyrinth

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Tuesday, January 10, 2012

Dirty Deeds [VHS]

Dirty Deeds [VHS]

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Dirty Deeds [VHS] Review

Here's the mix: throw in a coupla Yank Mafia guys--Sal and Tony. Blend with an Aussie mob operation based in Sydney, circa early 70s. What's the op? Slot machines. This is what's driving Sal and Tony's boss after the money to be made. Made men means make money. How Jimmy, the Mafia boss, found out about all the cash in Sydney is beyond the scope of this flick. But that's OK. This works great. John Goodman is Tony, a kinda soft hearted Mafia soldier who's the perfect counterpart to Sal, his violent partner--shorter on brains and faster on the trigger finger (except when boar hunting). Bryan Brown is Barry, the main Aussie gangster who runs things in Sydney. Barry is married with a young son, but this doesn't stop him from cussing right to his kid's face or getting nasty when he has to.Barry's not big on any takeover from the Yanks. Who would be, with a nice steady income stream every week? Not even for a coupla mil. This leads to some punchy (literally) things taking place, not least of which is Barry's nephew taking up with Barry's mistress, a young know-it-all waitress. Barry's wife, played by Toni Colette in a great performance, takes none too kindly to the extracurricular shenanigans.And Barry's local rivals, one of whom was killed by Barry's men, are not exactly thrilled with Barry either. All this adds up to an edgy neo-noir with a unique Australian flavor. Very nifty. Writer-director David Caesar uses a hip, slice and dice jump-cutty style that is a teensy bit garish, but mostly works really well for the material. Skewed camera angles fit in with the period piece trappings--including spot on rock music and loud-color dress.A different kind of neo-noir, entertaining and fun. Recommended. Help other customers find the most helpful reviews� Was this review helpful to you?�Yes No Report abuse | PermalinkComment�Comment

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Monday, January 9, 2012

Sabu

Sabu

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Sabu Review

Sabu (Takashi Miike, 2002)

To say this movie surprised me would be an understatement. I guess it shouldn't have, being a made-for-TV film and all, but for me, the name Takashi Miike brings to mind the tongue hitting the floor in Audition, the claymation lava swallowing everyone in The Happiness of the Katakuris, or the fountains of blood showering from the doorway in Ichi the Killer. Tokugawa-era costume drama with not a hint of Miike's excess? Say it ain't so, Jack.

Well, it's so. And even more surprisingly, Miike pulls it off with his usual flair.

Based on a novel by Shugoro Yamamoto (as yet, unfortunately, not translated into English; I'm getting to the point where I'm desperate to learn Japanese simply so I can read novels on which Takashi Miike movies are based), Sabu is the story of two friends, Eiji and Sabu, who grow up together. While both have somewhat rowdy childhoods, as they grow up and enter into their professional lives as paper-hangers, Sabu becomes the studious, staid "good kid," while Eiji retains his high-spiritedness. Eiji is fired from his apprenticeship, and a few days later disappears without a trace; Sabu, though forbidden to do so, must track him down. (There's much more to it than this; I'm covering about the first half-hour of the two-hour film in the synopsis. But from there, everything turns on minor spoilers.)

Miike has always been a director who, even when working in the normally-mindless action-flick genre, has been a master at creating characters with real depth. Here, with a more character-based story, he shows his full range of ability. Sabu, Eiji, and many of the minor characters in the film are exceptionally well-drawn. The film moves along at a rather slower pace than the American filmgoer will likely be used to, but you won't care; you're busy enough getting to know these wonderful characters.

Not to say there aren't some problems with the movie, but they are sins of omission, rather than commission; one assumes the novel has none of these flaws. Given that Miike was probably stuck with a time slot and needed to work within it, some of the film's minor characters get little screen time, but do things that make it seem as if they were major characters in the novel (Roku the pimp being the best example of this). Miike keeps them here, and gives them enough that we know they're important, but it would have been nice to get a little more time with them.

For those avoiding this because of the celebrated Miike violence, don't. The film contains the odd fistfight here are there. Swords are drawn in the movie (three times, if memory serves), but no heads or other limbs get lopped off, no one gets more than a black eye and a nosebleed, and no small animals spontaneously explode. This may, in fact, be Takashi Miike's least violent film to date, so if you've been wondering what all the fuss is about but scared away by the gore factor, this is the perfect place to get an eyeful.

Sabu is a film not to be missed, both for the hardcore fan of recent Japanese cinema and the complete neophyte. As it's now available domestically on DVD, hopefully Takashi Miike will find himself with the far wider American audience he so richly deserves. ****

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Sunday, January 8, 2012

When Father Was Away On Business [NON-USA FORMAT, PAL REGION 2, IMPORT]

When Father Was Away On Business [NON-USA FORMAT, PAL REGION 2, IMPORT]

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Product Description

Format Disclaimer: PAL format is used outside of North America and is not compatible with standard DVD players used in the US and Canada. Pal compatible or multi-system DVD player is necessary for proper playback. Synopsis: It's an open secret that father has been sent away to the mines for fooling around with the voluptuous object of desire of a communist party official. That's the way things were in 1950's Yugoslavia. Six-year-old Malik, however, thinks Papa is away on business. As seen through his eyes, this film magnifies the emotions of his new experiences, punctuated by trips to visit his Papa.

When Father Was Away On Business [NON-USA FORMAT, PAL REGION 2, IMPORT] Review

With a good sense of humor and compassion for the common people, Emir Kusturica captures the seriousness of the times and the fears associated with living under Communism in Yugoslavia in the early 1950s. The story is told from the viewpoint of Malik a boy who is 6 years of age. It was during a family gathering to celebrate Malik's recovery from a very personal surgical procedure that his father Mesha is escorted to a waiting car and taken away ... Malik's mother knew of her husband's serious predicament but neither she nor her husband were told the exact reason he was sent to prison. Mesha was given a vague explanation that he was somehow disloyal to the Communist party by his brother-in-law who was the high ranking Communist official that had arranged for Mesha's deportation to a labor camp. Malik is told by his mother that his father is "away on business" which at the time sounded plausible because his father used to take overnight business trips that lasted from one to several days. It was only after his mother started sewing to bring in extra money to meet everyday living expenses and the fact that his father did not return or communicate with the family that Malik suspected things were not as he was told. Through the grapevine, his mother learned that her brother's lover had something to do with Mesha's prison sentence. She visited this sexy siren who was the gym instructor at the local school. The students there get an unexpected impromptu lesson in hand-to-hand combat between two women.

Sometime later, after Mesha serves his sentence and returns to the family, he learns it was an off-the-cuff remark he made to his lover about a political cartoon in the local newspaper which got him imprisoned. At the beginning of the film, Mesha's lover confronted him, demanding he divorce his wife and marry her. He promised nothing because he liked the spontaneous arrangements just as they were. Not long after this affair, Mesha's complex problems with the Communist official who also was his brother-in-law began. Two questions arise in the mind of the viewer, did she report Mesha's remarks to the high ranking official as revenge because Misha would not leave his wife? Did Mesha's brother-in-law provide this extreme form of punishment for a seemingly casual remark which was obviously a joke because he wanted this sexy young woman all to himself? My suggestion is to view the film and discover the answer for yourself ...

This most excellent film begins with people working out in the fields, while an elderly man is singing a Mexican song. Two young boys are climbing trees and having a good time as they join him in the refrain. Later, the singer is asked why he sings Spanish lyrics to which he replies that in this day and age it is much safer to sing in Spanish than one's native language. Throughout this highly endearing film there are many enjoyable, memorable scenes which often depict an understated dark humor that helps balance the serious aspects of the film. Emir Kusturica creates numerous light moments, along with heart-warming, poignant scenes as well as events and interactions that are deeply thought-provoking. The director/producer works wonderful ethnically accurate celebrations into the film which were the norm in Sarajevo during that era. Kusturica provides the viewer many points to ponder as the film explores the interwoven lives of the various characters which intersect like the beautiful hand embroidered cross-stitch patterns for which the region is known! Erika Borsos [pepper flower]

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