Jules and Jim

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Price: $364.99   

Jules and Jim Review

The Criterion edition is a huge improvement over the Fox Lorber version. The picture quality is vastly better, with far less grain and markedly finer resolution; the subtitles are also positioned less obtrusively. I was disturbed by another reviewer's claim that the picture 'shook' - there was no shaking at all with my copy. The transfer was supervised and approved by the director of photography for the film, Raoul Coutard, so it is hardly surprising that it looks good; in some of the darker scenes there is some flickering, but this is hardly a major issue. I actually found the Fox Lorber print difficult and annoying to watch, while the Criterion is completely enjoyable, in fact better than prints I've seen at the cinema.
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Having seen the film itself several times, I have to admit that on first viewing its great reputation was a bit baffling. My own expectations had been defeated, as I was expecting a film which was at core 'realist'. On subsequent viewings, it became much more rewarding, especially on encountering the idea that it is more a 'fairy tale' or, at least, a fable. When I stopped thinking of the film as 'prose' and allowed it to be appreciated as 'poetry', its spirit suddenly made sense. The style is truly original, and so inevitably preconceived expectations will be disappointed.
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There is a pervasive light-hearted energy to the film, embodied in all aspects of its making, from the dancing camerawork, to the deft editing and playful performances. And this provides a poignant contrast to the themes explored, which deal with denser issues of commitment and allegiance. The characters might well be taken as representing larger ideas, such as national identity, but any symbolism is gestural and open-ended, so the film never feels preachy.
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The extras provided are extensive and give great insight into the surprising background of the film - it is based on a book which in turn is a distanced recollection of the author's experience - so, in a sense, this is a 'true' story - although its tone is, as Truffaut puts it in an interview, more like a nostalgic traipsing through an old photo album.
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A truly beautiful film, and the Criterion edition does it excellent service.

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