Thursday, July 14, 2011

Stalingrad [VHS]

Stalingrad [VHS]

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Stalingrad [VHS] Review

Before there was "Saving Private Ryan", the most graphic and visceral cinematic battlefield carnage was depicted in "Stalingrad". Ironically, the raw realism which drew rave reviews for SPR had elicited little more than horror and negativity for "Stalingrad". I'm not a sadistic guts'n'gore affictionado, but war is brutal and needs to be presented in an unsanitized manner. "Stalingrad" has been, and remains, my favorite war film. It is from the German producers of "Das Boot", and presents the point of view of the common Wehrmacht soldiers of Paulus' 6th Army, who were abandoned to freeze or be slaughtered in the bombed-out ruins of the city named for Stalin. Neither the Germans nor the Russians are portrayed as heroes or supermen in this film; there is only the desperation of fighters who are forbidden retreat. The anti-Nazi views of the producers are well-known, and occasionally a bit heavy-handed, but there is an admirable attempt to stick to realism. Even the Russians are presented accurately: from the presence of the female corpsman (yes, there were thousands of Russian women combatants at Stalingrad), to the playing of the phonograph song Temnaya Noch', to Stalin's cruel Edict that "there are no POW's -- only deserters". The tense ceasefires to allow tending of the wounded are also historically accurate, and are documented in various memoirs. The T-34 tank model depicted is, unfortunately, an anacronism. But the hand-to-hand fighting through the rubble of the buildings, streets, and sewers is realistic. As is the freezing Russian winter which sapped the energy and morale of the stranded Germans reduced to scurrying like rats and eating their own horses. From the cavalier attitudes of the would-be conquerers on the train to the desperation of the hordes of would-be escapees at the airport, this film takes us along with these German soldiers, allowing us to sympathize with their plight and even form a certain detached liking for them. The futility of their campaign haunts the poignant, sorrowful ending of the film (one can't call it a climax), as Russia Herself swallows her violators.

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